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Still Life Compositions
(1982-1992)

Similar to Mapplethorpe's handling of the nude form, his still life compositions have a signature clarity and symmetry that emphasize the geometric nature of the subject. Present within this period is an early penchant for abstraction, achieved through the artist's structuring of the image so that the resulting image is often seen out of context.

Above (L to R):
Chateau Marmont Interior, 1990
Clouds
, 1989
Empire State Building
, 1993
Stiletto with Gun
, 1990
Christ on Scale
, 1991